busker on the bus in santiago
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Busk at Dusk on a Santiago Bus

It was a Friday evening after a long week. I was sick, tired, and mentally preparing to spend the weekend moving to yet another apartment in Santiago. I got on the crowded bus to head home, and as the doors were closing, an older man boarded and stood directly across from me in the middle of the bus. He was short, balding, wearing dirty jeans and a t-shirt and holding a beat-up guitar. As the bus started to pull away he positioned himself and started to strum.

Anyone who’s taken public transit in Santiago is used to this. People busk on the subways and buses here constantly. Most passengers are absorbed in their phones, many with earbuds in listening to their own music or watching videos. The quality of the performance varies wildly. Sometimes it’s traditional South American pan flute, sometimes it’s freestyle raps commenting on passengers on the bus (as the token gringo on the bus I’m almost always the subject of at least one verse), sometimes it’s a boombox with a bad karaoke track and awful singing. Santiago buses are already loud and crowded, so it’s often rather annoying, but when someone is actually playing an instrument I’ll usually take out my earbuds and pay attention.

Tonight, the old man started off with a beautiful rendition of Todo Cambia, by Chilean musician Julio Numhauser. The YouTube video below has the first recording of the song, made in the early 80s in Switzerland while Numhauser was in exile from the dictatorship here in Chile.

After that he played a great folk song that I haven’t been able to identify. I can only remember some lyrics I thought were “lleve los soldados,” which doesn’t really make any sense, and doesn’t yield any Google results. So that one’s lost to time. Who knows, maybe I’ll be on the same bus as this guy once again in the future and I’ll hear it again.

Soon after I pulled out my phone to start recording so I could catch the lyrics later to look up the songs. I was able to catch the last half of his last song.

I later identified it as “Dulce Daniela” by Argentinian musician Victor Heredia, a song about a young daughter drawing on everything in the house, that’s apparently inspired many a father to name his daughter Daniela just so he could sing this song to her. I actually don’t like Heredia’s version all that much, but the busker’s version was great.

When the busker finished he thanked us, and walked up and down the bus collecting “remuneraciones.” I handed him a 1 luca bill (1,000 pesos), he stepped out the doors, gave me a nod to say thanks, and disappeared into the night as the bus pulled away.

I was so busy reflecting on my good fortune to have had my mood lifted by the old man’s music, that I hadn’t noticed that another busker had boarded the bus as the old man was getting off. This time a younger man, with bloodshot eyes, holding a stick and a ribbed metal cylinder. He started to slide the stick on the cylinder, making a god-awful noise, made worse by the fact that he couldn’t keep the rhythm. I didn’t think it could get any worse, and then he started to sing. It was as out of tune as his percussion was out of rhythm. My head started to ache, and after 2 minutes, I couldn’t take it anymore. When the bus doors opened I leapt out, still a mile from my stop.

You win some you lose some, I guess.

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street dog
travel, writing

Street Dogs at a Meat Truck

Two dogs covered in Santiago street dust wait patiently for the man in the back of the refrigerated truck. They don’t notice the car horns or the speeding motorbikes that miss them by inches. The man jostles a hanging cow carcass and pulls it along a track in the ceiling, past its brethren to the truck gate. The brown dog does recon, standing back where it can see the man over the gate. The black dog lies in wait underneath, out of sight, watching the brown dog’s eyes for his cue.

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laptop on the porch in riochico ecuador
Life, travel

Reflection, Sickness and A New Morning Commute

Weekday

I am now, for the first time, in a place where almost nobody speaks English. I’m alone in Ecuador, trying to figure out what the hell is going on and where to get food and clean water.

Monday through Friday I wake up at 6:30 am start my 5 mile walk along the deserted beach to Montañita where I take Spanish classes. The town of Manglaralto has a rocky point that sticks out from the coast, so when the tide is high the beach is gone. Those days I climb the rocky steps and pass through the small town to get to back to the beach to the other side. When the tide is low I walk the whole way on the beach, nodding occasionally to a pickup truck full of fishermen speeding along the hardened beach sand.

As I near Montañita I walk through the wreckage of an old concrete pier. Giant chunks of concrete and metal have been abandoned to the ocean. At low tide, I’m careful to note the location of the erosion-sharpened pieces of rebar that stick up from the sand. At high tide they will lurk just below the surface of the water, ready to stab unsuspecting beachgoers.

It feels good to be in school again, to interact with people. I’ve been working remotely or for very small companies for a few years, and while I met some great people doing so, I’ve realized I miss the camaraderie of working with a team in-person. Being an introvert, I’ve come to realize I need to build that interaction into my life.

In Spanish class we talk about our lives and ask each other questions. I really enjoy it. I think I could live abroad, teach English, learn Spanish and write, surf, meet people, make art. I’m starting to feel that pull. That longing for creativity. I need to move, make art, written, visual, whatever. I simply can’t tolerate working at home for 40-60 hours a week on the computer. It’s destroying my body and making me lonely.

On our coffee break I sip weak coffee on the roof. I see designs in the cracks at the bottom of the coffee cup, and think about the colors and shapes I’d put on a canvas and that short story I never finished.

During our lunch break I grab my surfboard and run down to the beach. At mid-tide the surf is decent. My board was shaped by a local, it’s a 6′ fish with balsa edges and it’s pretty much perfect for me. I lucked out. After about an hour I’ll paddle back in and eat a big bowl of ceviche at the yellow carts lining the streets and beaches of Montañita before running back up the hill to catch my second class session.

As soon as school’s done, I make the trek back down the beach, board under my arm and walk back to the house on the hill in Riochico so I can throw some food on the stove and start my work day (or work night). I write code and listen to podcasts until I can’t stay awake any longer and then I crawl into bed pass out.

Saturday

I had big plans to surf today, the swell is picking up a bit and the tides are perfect for a good morning session. But I’m violently ill and delirious. I can’t eat more than a bite of bread every few hours and I’m almost out of drinkable water. Anita and Joaquin are gone for the weekend and my phone stopped working a week ago. I’ll have to make my 12 ounces of clean water last til tomorrow, hopefully by then the nausea will have let up enough for me to make the walk down the muddy mountainside to the mini-mart so I can buy a bag of clean water.

I’m laying on the bed outside, watching a documentary on The Grateful Dead. I’ve never been particularly moved by them, but right now the music and imagery in the documentary strikes me and I’m realizing I need to create and it can be weird and not perfect. I just need to try and commit to trying until I drop dead because we get one chance and I’ve tried to play the game and do things the smart way, the safe way, and it doesn’t feel right. It’s time to accept that my life is mine and I am the way I am. The wheels in my head are in motion, I need to make a change.

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beach in ecuador
Life, travel

Tales From Ecuador: 2 Babies On a Motorbike

I’m staying in a small town on the coast of Ecuador. It’s been raining the past few days, and the streets are wet and muddy. I was waiting for the bus and a man on a motorbike pulled up, behind him, a little girl who couldn’t have been more than 4 years old sat on the bike. She was holding on to his sides with her tiny little hands. The man was wearing a helmet, the child was not. She was wearing a small pink backpack, totally unfazed by the experience.

They stopped in front of me momentarily. The girl looked at me with vague interest, probably wondering who the strange looking person with the white face and large beard was. Then a woman walked up carrying an even smaller child, a boy, and placed him on the seat behind the girl. The woman put the boy’s backpack on him, and the boy’s hands on the little girl’s backpack so he could hold on with whatever force a 3 year old boy could muster. I looked at his hands on the girl’s backpack, and the girl’s hands on the man’s jacket. They weren’t even straining. If they’d held a glass of milk with that grip it’d fall and shatter on the ground. This was all that would keep them on the motorbike, as the man drove off down the busy, rainy road to take them to school.

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night sky hills
Life, travel

Having a Panic Attack Alone in Rural Ecuador

Despite my exhaustion after 24 hours of flights, cabs and buses, every little sound wakes me up. Rustling in the brush outside, creaks inside. I hear pigs squealing 100m away. I saw a man beating them with a stick today while feeding them. They were all squealing in what sounded like a terrifying pig orgy.

Suddenly I can feel the distance between me and anyone I know. The 3,000 miles is a physical force weighing me down. I try to calm myself down by focusing on breathing, but my chest is tight, like when I was 10 and I had asthma attacks, and no matter how hard I tried I could not get enough oxygen. I think of the 2 cigarettes I smoked the other day when I was stressed, and how a friend recently died of cancer in her 30s. I’m certain I’m going to have a medical emergency alone on this hillside in Ecuador. A three hour bus ride from a city. 3 hours past cinder block shacks with exposed rebar, half of all the buildings unfinished. Past gray, depressing beaches, empty, devoid of the lush color and beauty of the Maui Beaches I once called home. Why were they so gray? The water and sand and sky. The relentlessness of the gray made it feel permanent.

I breathe in and imagine myself floating in the water at Paia Bay, where the deep blue ocean meets the orange-yellow sand, black volcanic rocks and lush greenery, all beneath the blue sky interrupted by occasional wisps of white cloud. It was cartoonishly vibrant, and for a couple years, every day on my lunch break, its cartoonish beauty spoiled me. I float there in the cool water as the sun tightens skin on my face, and wait for a good wave to bodysurf onto the beach. Then I’ll walk up to my old pickup parked beneath the 40-foot palms, grab a shirt from the truck-bed and walk to Paia, past the vibrant storefronts, full of friends & neighbors and tourists.

Back in my bed in Ecuador, roosters crow in the distance. For the first time in my life I’m glad to hear the sound. It reminds me of my old house on a Hawaiian hillside goat-pasture in Makwao. I close my eyes and for an instant I’m back in the lofted bed, staring at the stars through my skylight while my neighbor’s roosters try their best to keep me awake. They used to drive me crazy. But now as I struggle for breath in an unfamiliar country, surrounded by mosquito netting, more alone than I’ve ever been before, the crow of the roosters is reassuring. Maybe these places aren’t so different after all. Roosters still crow. Roosters still crow. I’ll be alright.

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